Delighted that Glasshouses has been shortlisted for the 2017 Association for the Study of Australian Literature (ASAL) Mary Gilmore Award, to be given for the best first book of poetry published in the previous calendar year.
Congratulations to fellow shortlistees Carmine Frascarelli for Sydney Road Poems, Aden Rolfe for False Nostalgia, and Alison Whittaker for Lemons in the Chicken Wire, and thanks to the 2017 Mary Gilmore Award chair Michael Farrell and judges Ann Vickery and Justin Clemens.
The winner will be announced at the ASAL’s annual conference in Melbourne in July.
My poem ‘1992’ (released that year: The Cure’s Wish, Thom Gunn’s The Man with Night Sweats, Donna Tartt’s The Secret History) has been published in Issue 1 of Impossible Archetype, founded and edited by Irish poet Mark Ward.
The issue, which you can download for free here, includes poems by Matthew Hittinger, Stephen S. Mills and Jay Whittaker, among others.
My poem ‘Aerial’, a terminal from Sylvia Plath’s ‘Ariel’ (you can read more about the terminal, a poetic form created by John Tranter, here), has been published in StylusLit, edited by Rosanna Licari. The issue also includes Alison Clifton’s review of Glasshouses:
‘Barnes is a master of the recurring image … snakes, birds, eyes, the moon, glasshouses, and medication all resurface at different moments. … Images jump from the page like a rockstar leaping from the stage into the seething mosh pit below … Barnes’s lines at once seethe with the fire of passion and glow with the warmth of compassion. This is powerful poetry.’
Also in this issue are poems by Zenobia Frost, Stu Hatton and Jo Langdon, and reviews of Félix Calvino’s So Much Smoke, Carmen Leigh Keates’ Meteorites and Ellen van Neerven’s Comfort Food.
Thanks to Rosanna and Alison.
Delighted that Glasshouses has been commended for the 2016 Fellowship of Australian Writers Anne Elder Award for a first collection of poetry.
Congratulations to Berndt Sellheim, winner for Awake at the Wheel, to my wonderful friend Lisa Brockwell, commended for Earth Girls, and to the other commended poets: Jennifer Crone for Our Lady of the Fence Post and Susan Varga for Rupture. Congrats, too, to Carmine Frascarelli, whose Sydney Road Poems received a special mention.
You can read the judges’ comments for all five collections here.
Tincture Journal Issue 17 is out now.
Editorial by Daniel Young, founder and editor.
Poetry by Pam Brown, Eileen Chong, Aidan Coleman, Tricia Dearborn, Mindy Gill, Rebecca Jessen, Rosanna Licari, Nathanael O’Reilly, Mark Roberts, and Thom Sullivan.
You can buy Issue 17 here.
Excited about reading a few new poems and from Glasshouses at two events in Brisbane next week.
First up’s Riverbend Poetry Series 1 at Riverbend Books on Tuesday 28 February with Anisa Nandaula, Carmen Leigh Keates and Liam Fernery. Books available for sale at the event. Tickets $8, available online or by calling (07) 3899 8555. All welcome.
Then it’s COUPLET at Brisbane Square Library on Friday 3 March with Andrew Galan. Free event, all welcome.
Hope to see some of you there!
My poem ‘Double Acrostic’, inspired by a line from William Blake’s ‘The Tyger’, is in the latest issue of Southerly. Thanks to editors Andy Jackson and David Brooks.
This Writing Disability issue also includes poetry by India Breen, Quinn Eades, Anne Elvey, Phillip Hall, Heather Taylor Johnson, Rachael Mead and David Stavanger; short fiction by Lara S. Williams; and reviews by Dave Drayton (of Catherine Vidler’s Chaingrass) and Autumn Royal (of Tamryn Bennett’s phosphene).